Unheardwords of Writers of Colour

Hello

unheardwords - tracking back to hackney

January 2017

Tracking back to hackney

I'm trying to remember when I first heard certain music, what it meant, and in a circular way why I remember it. What was it that made it stand out and why do I associate the hearing and the doing?

In 1977 I went to secondary school. Before this my music had been that brought into the house by my siblings who could afford the singles and occasionally albums of American soul artists.

Average White Band (pick up the pieces), Stevie Wonder, Billy Paul (Mrs Jones), Diana Ross, Marvin Gaye, The Isley Brothers, Heatwave (mind blowing decisions), Candi Staton (Young Hearts Run Free), Gladys Knight (The Way We Were).

This music, despite the basic HiFi system it played out on, was immediately pleasing, smooth, harmonious, soulful. It’s backstory was a blissful work of my imagination, a Hackney boy born and bred I knew nothing about the actual United States, only what I’d seen on TV shows.

At the same time, I was growing up and blundering my way through changes that would take me across the tracks; from a world in which identity hadn’t crossed my mind, into one in which identity was a conscious state of mind.

My real music selection memories begin at this crossing point; where "half-caste" boy (no mixed-race at that time), raised solely by a loving and ‘doing-her-best’ white mother, finds a black side to his existence.

I've included my playlist below and in the full article have interspersed some of these tracks with a little more recollection of my figure-it-out-as-you-grow boyhood.

Roy Ayers, Everybody Loves the Sunshine (1976)

Harvey Mason, Do you take my love (1977)

Funkadelic, One nation under a groove (1978)

McFadden and Whitehead, Ain't no stopping us now (1979)

Atmosfear, Dancing in outer space, (1979) - British

Light of the World, London Town (1980) – British

Sugar Hill Gang, Rappers Delight (1980)

Freez, Southern Freez, flying high (1981) (and who could forget ‘Southern Breeze’) - British

Maze, before I let go, (1981)

Slave, album ‘Show Time’, track Snapshot (Steve Arrington) (1981)

Everlyn Champas King, Love Come Down (1982)

Chuka Khan, Ain't Nobody (1983)

Adolescent identity, as now, was all. Me and mine weren’t dub-steppers and we certainly weren’t soul-boys; rather we were modern jazz-sophisticates – cutting our own line between ‘roots reggae’ and ‘popular soul’ - we were about hard core musicians and some of the greatest music ever made – which as every self-styled group likes to think – made us something different all together. Read the full article



Unheardwords Community

collaborative creativity

unheardwords community



bob dylan redefines literature prise

October 2016

Literature Reprise

So Bob Dylan wins the Nobel Prise in Literature and a signal goes out, a hint that even in esteemed circles something has changed.
Upfront. I’m not very familiar with his work; of course, I know who he is and have heard a number of his soundtrack-to-a-generation songs.
I’ve heard people, fans, comment that they aren’t surprised at all that Dylan’s work has been recognised in this highly honoured way.
I’ve heard people, not such fans, comment that recognising a musician as a Nobel Laureate doesn’t make much sense.
I didn’t encounter Mr Dylan or his music (knowingly) until my early twenties (in the 80s).
I heard a young man from a very well to do background who occupied a place well above mine in the hierarchy – it was an insurance underwriters with a long established reputation - talking to like-minds about the genius that was Dylan. How going to see Dylan would be a seminal moment in his life.
Casting my mind back, I remember thinking, wow – this dude must be pretty amazing to inspire the likes of these people – the young Dylan devotee who couldn’t have been much older than me, seemed to have so much more going for him at the time than I did.
Still, I didn’t acquaint myself with Bob then and haven’t dug deeper in the intervening years.
What I like about this award is its apparent breaking of the boundaries between forms and functions, which in my view is long in coming. To be more accurate, the recognition that literature doesn’t just come in one form, is overdue.
In Lionel Shriver's novel, ‘The Mandibles’, about the lives of a family living in a future United States post climate, population and economic change (the year is 2029), a somewhat out of touch father is talking to his seventeen-year-old daughter about her studies. She tells him her tutors want her to talk about art rather than producing any. He comments that writing is a way of producing something, to which she replies:-
“Not anymore. Nobody at my school reads anything. They use ear buds, and get read to.”
This sort of summed it up for me. Literature ain’t what it used to be. Literature ain’t where you’d expect to find it. But, literature still exists; write and read it or not.
My laureate would be Gil Scott-Heron, though the last time I mentioned my admiration for the man and his music out loud in public only one person in the group knew who he was.


Media Diversified

Media Diversified

   I've been thinking and thinking about the 'of colour' phrase - used by unheard as 'writers of color' and broadly, referring to 'people of colour'. In the 2010s the term that can absorb this phrase neatly and meaningfully is diversity and so it was with interest that I stumble across Media Diversified (M/D).

Media Diversified is a young and growing non-profit organisation which seeks to cultivate and promote skilled writers of colour by providing advice and contacts and by promoting content online through its own platform.

On a global note, its'also worth checking out The Media Diversity Institute (MDI); which works internationally to encourage and facilitate responsible media coverage of diversity. It aims to prevent the media from intentionally or unintentionally spreading prejudice, intolerance and hatred which can lead to social tensions, disputes and violent conflict.




About Crystal Mahey-Morgan

June 2016

Crystal Myth

    It’s been a while since I posted any original content to unheardwords, not that I haven’t considered doing so many times. But wait. I thought. Don’t commit unless you have something to say.

Unheard is sometimes a good thing.

It’s been Crystal Mahey-Morgan (ownit.london) who has brought me back.

When I first heard her talking on the Hay Festival Debate “Are we publishing too many books?” (BBC Radio 4, May 2015) my ears detected the refreshing sound of someone young-ish who seemed to be talking in twenty-first century language about “publishing” and “books”. It got me to thinking, where are we at now?

Well, the old media and digital media make strange bedfellows.

When people talk about “books” and “publishing” - the ancient art of getting them made and onto shelves - it somehow sounds at odds, not only with digital means, Content and Platforms, but with lifestyles.

Is there a distinction between the different strands of inform, educate and most prized, entertain, that stream through our lives now?

And, even someone of my age – an analogue native - is asking this, so I can only imagine how it looks, feels and sounds to someone half my age or half their age.

The thing is, despite the speed at which the revolution has occurred, we adult humans take our own sweet time to change. So we might be talking about how to transform publications to appeal to the young, whilst the world has already transformed all sense of content and its distribution, for everyone.

Believe me, I know it’s hard to keep up but then I also realise that no one’s explicitly asking me to keep up. This is a time for ‘meeting the world as you find it.’ For, being mindful of contexts past, whilst being ready to roll with the disruption present or even, to be prepared to create a disruptive future.

Khome, © unheardwords.com, 2016 (all rights reserved)



How to Diversity

Heben and Tracy - how to diversity

Heben and Tracy of "Another Round" bring us How to Diversity
Summary -3 Tips:
  1. Try; this stuff is necessary to bring different types of people into the conversation
  2. Expand; your personal horizons, bring some different cultural perspectives ibto your personal life
  3. Try, guys; just try

courtesy of the Podcast Movement.